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<channel>
<title>KCRW's Theatre Talk</title>
<description>In-depth provocative reviews and commentary on theatre in Southern California and beyond from James C. Taylor. He is an in-demand film/TV editor with a passion for theatre and opera who flies all over the world to see whats happening on stage.</description>
<lastBuildDate>Thu, 19 Nov 2009 20:37:21 -0500</lastBuildDate>
<itunes:author>James C. Taylor</itunes:author>
<itunes:explicit>no</itunes:explicit>
<link>http://www.kcrw.org/</link>
<copyright>KCRW 2008</copyright>
<castfire:total>156</castfire:total>
<media:copyright>KCRW 2008</media:copyright><media:thumbnail url="http://media.kcrw.com/podcast/images/th.jpg" /><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Performing Arts</media:category><itunes:owner><itunes:email>podmaster@kcrw.org</itunes:email><itunes:name>James C. Taylor</itunes:name></itunes:owner><itunes:image href="http://media.kcrw.com/podcast/images/th.jpg" /><itunes:subtitle>Provocative reviews and commentary on a broad range of theatrical experience.</itunes:subtitle><itunes:summary>In-depth, provocative reviews and commentary on theatre in Southern California and beyond from James C. Taylor. He is an in-demand film/TV editor with a passion for theatre and opera who flies all over the world to see what's happening on stage.</itunes:summary><itunes:category text="Arts"><itunes:category text="Performing Arts" /></itunes:category><geo:lat>34.009276</geo:lat><geo:long>-118.472869</geo:long><image><link>http://www.kcrw.com/etc/programs/th</link><url>http://media.kcrw.com/podcast/images/75x75/th.jpg</url><title>Theatre Talk</title></image><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.kcrw.com/kcrw/th" type="application/rss+xml" /><feedburner:feedFlare href="http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif">Subscribe with My Yahoo!</feedburner:feedFlare><feedburner:feedFlare href="http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://www.newsgator.com/images/ngsub1.gif">Subscribe with NewsGator</feedburner:feedFlare><feedburner:feedFlare href="http://www.bloglines.com/sub/http://feeds.kcrw.com/kcrw/th" src="http://www.bloglines.com/images/sub_modern11.gif">Subscribe with Bloglines</feedburner:feedFlare><feedburner:feedFlare href="http://www.netvibes.com/subscribe.php?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://www.netvibes.com/img/add2netvibes.gif">Subscribe with Netvibes</feedburner:feedFlare><feedburner:feedFlare href="http://fusion.google.com/add?feedurl=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://buttons.googlesyndication.com/fusion/add.gif">Subscribe with Google</feedburner:feedFlare><feedburner:feedFlare href="http://www.pageflakes.com/subscribe.aspx?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://www.pageflakes.com/ImageFile.ashx?instanceId=Static_4&amp;fileName=ATP_blu_91x17.gif">Subscribe with Pageflakes</feedburner:feedFlare><feedburner:feedFlare href="http://odeo.com/listen/subscribe?feed=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://odeo.com/img/badge-channel-black.gif">Subscribe with ODEO</feedburner:feedFlare><feedburner:feedFlare href="http://www.podnova.com/add.srf?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Fth" src="http://www.podnova.com/img_chicklet_podnova.gif">Subscribe with Podnova</feedburner:feedFlare><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><item>
<title>A 'Labour of Love'</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/s6UvP-RuF1M/th091119a_labour_of_love</link>
<description>&lt;p&gt;Shakespeare's comedy &lt;em&gt;Love's Labour's Lost&lt;/em&gt; is not one of his sturdiest creations.  While the major plays like &lt;em&gt;Hamlet, Twelfth Night&lt;/em&gt; or &lt;em&gt;A Midsummer Night's Dream&lt;/em&gt; can rise above lackluster stagings or uninspired acting, &lt;em&gt;Love's Labour's Lost&lt;/em&gt; is a delicate soufflé ? only when presented with absolute grace and skill, can it avoid collapsing under the weight of its own deliciousness...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=s6UvP-RuF1M:oyZpsGqC5zw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=s6UvP-RuF1M:oyZpsGqC5zw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=s6UvP-RuF1M:oyZpsGqC5zw:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=s6UvP-RuF1M:oyZpsGqC5zw:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=s6UvP-RuF1M:oyZpsGqC5zw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=s6UvP-RuF1M:oyZpsGqC5zw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=s6UvP-RuF1M:oyZpsGqC5zw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=s6UvP-RuF1M:oyZpsGqC5zw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/s6UvP-RuF1M" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Shakespeare's comedy Love's Labour's Lost is not one of his sturdiest creations.  While the major plays like Hamlet, Twelfth Night or A Midsummer Night's Dream can rise above lackluster stagings or uninspired acting, Love's Labour's Lost is a delicate soufflé ? only when presented with absolute grace and skill, can it avoid collapsing under the weight of its own deliciousness...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 19 Nov 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/195061/th_2009-11-19-203721.mp3</guid>
<castfire:sh_id>195061</castfire:sh_id>
<castfire:show_id>195061</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-11-19 21:44:00 EST">Thu, 19 Nov 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-11-19-203721</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/z_9HTJ2Gu3E/th_2009-11-19-203721.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Shakespeare's comedy Love's Labour's Lost is not one of his sturdiest creations. While the major plays like Hamlet, Twelfth Night or A Midsummer Night's Dream can rise above lackluster stagings or uninspired acting, Love's Labour's Lost is a delicate sou</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091119a_labour_of_love</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/z_9HTJ2Gu3E/th_2009-11-19-203721.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/195061/th_2009-11-19-203721.mp3</feedburner:origEnclosureLink></item>
<item>
<title>A 'Farce' to Be Reckoned With</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/NzWDS3jDXzk/th091112a_farce_to_be_reckon</link>
<description>&lt;p&gt;Last summer, &lt;em&gt;Theatre Talk&lt;/em&gt; spoke of "the most dazzling production of a new play to come along in years."&amp;nbsp; That play was &lt;em&gt;The Walworth Farce&lt;/em&gt;, by Irish dramatist Enda Walsh.&amp;nbsp; And after runs in Edinburgh, London, and New York, the original production has arrived here in Los Angeles where it opened last night as part of UCLA Live's International Theater Festival...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=NzWDS3jDXzk:_UCybc5AIzc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=NzWDS3jDXzk:_UCybc5AIzc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=NzWDS3jDXzk:_UCybc5AIzc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=NzWDS3jDXzk:_UCybc5AIzc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=NzWDS3jDXzk:_UCybc5AIzc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=NzWDS3jDXzk:_UCybc5AIzc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=NzWDS3jDXzk:_UCybc5AIzc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=NzWDS3jDXzk:_UCybc5AIzc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/NzWDS3jDXzk" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Last summer, Theatre Talk spoke of "the most dazzling production of a new play to come along in years."&nbsp; That play was The Walworth Farce, by Irish dramatist Enda Walsh.&nbsp; And after runs in Edinburgh, London, and New York, the original production has arrived here in Los Angeles where it opened last night as part of UCLA Live's International Theater Festival...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 12 Nov 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/191337/th_2009-11-12-202927.mp3</guid>
<castfire:sh_id>191337</castfire:sh_id>
<castfire:show_id>191337</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-11-12 21:44:00 EST">Thu, 12 Nov 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-11-12-202927</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/-dSQnNL87UE/th_2009-11-12-202927.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Last summer, Theatre Talk spoke of "the most dazzling production of a new play to come along in years."&amp;nbsp; That play was The Walworth Farce, by Irish dramatist Enda Walsh.&amp;nbsp; And after runs in Edinburgh, London, and New York, the original productio</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091112a_farce_to_be_reckon</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/-dSQnNL87UE/th_2009-11-12-202927.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/191337/th_2009-11-12-202927.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Irish Ghosts and Leprechauns</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/luyDd-EMt98/th091105irish_ghosts_and_lep</link>
<description>&lt;p&gt;In this week after Halloween, it's fitting that we talk about ghost stories. Conor McPherson, the prolific Irish dramatist, is a master of modern ghost stories ? his plays have featured apparitions, bloodsuckers, even Mephistopheles himself. And yet, there's no blood or gore in McPherson's plays ? he's more interested in the guilt these spirits represent, not who they can kill....&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=luyDd-EMt98:P6E4Ghhh-i4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=luyDd-EMt98:P6E4Ghhh-i4:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=luyDd-EMt98:P6E4Ghhh-i4:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=luyDd-EMt98:P6E4Ghhh-i4:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=luyDd-EMt98:P6E4Ghhh-i4:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=luyDd-EMt98:P6E4Ghhh-i4:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=luyDd-EMt98:P6E4Ghhh-i4:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=luyDd-EMt98:P6E4Ghhh-i4:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/luyDd-EMt98" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[In this week after Halloween, it's fitting that we talk about ghost stories. Conor McPherson, the prolific Irish dramatist, is a master of modern ghost stories ? his plays have featured apparitions, bloodsuckers, even Mephistopheles himself. And yet, there's no blood or gore in McPherson's plays ? he's more interested in the guilt these spirits represent, not who they can kill....]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 05 Nov 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/187363/th_2009-11-05-195623.mp3</guid>
<castfire:sh_id>187363</castfire:sh_id>
<castfire:show_id>187363</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-11-05 21:44:00 EST">Thu, 05 Nov 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-11-05-195623</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/78MoiIReowA/th_2009-11-05-195623.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> In this week after Halloween, it's fitting that we talk about ghost stories. Conor McPherson, the prolific Irish dramatist, is a master of modern ghost stories ? his plays have featured apparitions, bloodsuckers, even Mephistopheles himself. And yet, the</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091105irish_ghosts_and_lep</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/78MoiIReowA/th_2009-11-05-195623.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/187363/th_2009-11-05-195623.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Nojangles</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/DeuApossNdQ/th091029nojangles</link>
<description>&lt;p&gt;The late 1950's and 1960's were indeed Sammy Davis Jr.'s moment. During that time he was one of, if not, the highest paid entertainer in America. His career is the subject of a new musical titled &lt;em&gt;Sammy&lt;/em&gt;...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=DeuApossNdQ:laRNgVLBlow:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=DeuApossNdQ:laRNgVLBlow:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=DeuApossNdQ:laRNgVLBlow:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=DeuApossNdQ:laRNgVLBlow:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=DeuApossNdQ:laRNgVLBlow:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=DeuApossNdQ:laRNgVLBlow:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=DeuApossNdQ:laRNgVLBlow:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=DeuApossNdQ:laRNgVLBlow:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/DeuApossNdQ" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[The late 1950's and 1960's were indeed Sammy Davis Jr.'s moment. During that time he was one of, if not, the highest paid entertainer in America. His career is the subject of a new musical titled Sammy...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 29 Oct 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/183623/th_2009-10-29-202621.mp3</guid>
<castfire:sh_id>183623</castfire:sh_id>
<castfire:show_id>183623</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-10-29 21:44:00 EST">Thu, 29 Oct 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-10-29-202621</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/76bJZgXfiuM/th_2009-10-29-202621.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> The late 1950's and 1960's were indeed Sammy Davis Jr.'s moment. During that time he was one of, if not, the highest paid entertainer in America. His career is the subject of a new musical titled Sammy...</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091029nojangles</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/76bJZgXfiuM/th_2009-10-29-202621.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/183623/th_2009-10-29-202621.mp3</feedburner:origEnclosureLink></item>
<item>
<title>A Reigning Parade</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/njJCikRI-RM/th091022a_reigning_parade</link>
<description>&lt;p&gt;
Those are the opening bars of the musical &lt;em&gt;Parade&lt;/em&gt; and that little bit of music tell you a great deal about the show as a whole.  There's the military drum beat that evokes the Civil War, the bells and oboe melody that sound like Broadway and the atonal piano clusters which tells you the dissonant &lt;em&gt;Parade&lt;/em&gt; is not your standard feel-good, leave-whistling-the-songs musical...&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=njJCikRI-RM:rVoS-R2Sndc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=njJCikRI-RM:rVoS-R2Sndc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=njJCikRI-RM:rVoS-R2Sndc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=njJCikRI-RM:rVoS-R2Sndc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=njJCikRI-RM:rVoS-R2Sndc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=njJCikRI-RM:rVoS-R2Sndc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=njJCikRI-RM:rVoS-R2Sndc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=njJCikRI-RM:rVoS-R2Sndc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/njJCikRI-RM" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[
Those are the opening bars of the musical Parade and that little bit of music tell you a great deal about the show as a whole.  There's the military drum beat that evokes the Civil War, the bells and oboe melody that sound like Broadway and the atonal piano clusters which tells you the dissonant Parade is not your standard feel-good, leave-whistling-the-songs musical...
&nbsp;]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 22 Oct 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/179547/th_2009-10-22-200752.mp3</guid>
<castfire:sh_id>179547</castfire:sh_id>
<castfire:show_id>179547</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-10-22 21:44:00 EST">Thu, 22 Oct 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-10-22-200752</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/ObPARlWGIDU/th_2009-10-22-200752.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Those are the opening bars of the musical Parade and that little bit of music tell you a great deal about the show as a whole. There's the military drum beat that evokes the Civil War, the bells and oboe melody that sound like Broadway and the atonal pia</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091022a_reigning_parade</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/ObPARlWGIDU/th_2009-10-22-200752.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/179547/th_2009-10-22-200752.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Donuts and Dilaudid</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/UOxRsfUwuT0/th091015donuts_and_dilaudid</link>
<description>&lt;p&gt;What do you do after your sprawling, three-hour play about America in decline wins the Pulitzer Prize for drama?  That's a problem most aspiring playwrights ? to say nothing of established writers ? would love to have; but it's nevertheless been a problem for Tracy Letts.  Letts is the writer of popular, short shockers, like &lt;em&gt;Killer Joe and Bug&lt;/em&gt;, who then decided to write something long and serious. That play turned out to be &lt;em&gt;August: Osage County&lt;/em&gt;, which won the Tony, the Pulitzer, and is now touring the country in a production starring Oscar-winner Estelle Parsons...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=UOxRsfUwuT0:1REJgzvL5TA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=UOxRsfUwuT0:1REJgzvL5TA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=UOxRsfUwuT0:1REJgzvL5TA:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=UOxRsfUwuT0:1REJgzvL5TA:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=UOxRsfUwuT0:1REJgzvL5TA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=UOxRsfUwuT0:1REJgzvL5TA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=UOxRsfUwuT0:1REJgzvL5TA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=UOxRsfUwuT0:1REJgzvL5TA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/UOxRsfUwuT0" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[What do you do after your sprawling, three-hour play about America in decline wins the Pulitzer Prize for drama?  That's a problem most aspiring playwrights ? to say nothing of established writers ? would love to have; but it's nevertheless been a problem for Tracy Letts.  Letts is the writer of popular, short shockers, like Killer Joe and Bug, who then decided to write something long and serious. That play turned out to be August: Osage County, which won the Tony, the Pulitzer, and is now touring the country in a production starring Oscar-winner Estelle Parsons...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 15 Oct 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/175921/th_2009-10-15-200803.mp3</guid>
<castfire:sh_id>175921</castfire:sh_id>
<castfire:show_id>175921</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-10-15 21:44:00 EST">Thu, 15 Oct 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-10-15-200803</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/0O_pJXy7N50/th_2009-10-15-200803.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> What do you do after your sprawling, three-hour play about America in decline wins the Pulitzer Prize for drama? That's a problem most aspiring playwrights ? to say nothing of established writers ? would love to have; but it's nevertheless been a problem</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091015donuts_and_dilaudid</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/0O_pJXy7N50/th_2009-10-15-200803.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/175921/th_2009-10-15-200803.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Tragedies: Medea and Modine</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/gCZDhy0KSLs/th091008tragedies_medea_and_</link>
<description>&lt;p&gt;Two great tragedies are currently running in Westwood. One dates back 2,500 years; the other feels twice as old (and dated) even though it was written earlier this year. ..&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=gCZDhy0KSLs:NtXFyBBGUJk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=gCZDhy0KSLs:NtXFyBBGUJk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=gCZDhy0KSLs:NtXFyBBGUJk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=gCZDhy0KSLs:NtXFyBBGUJk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=gCZDhy0KSLs:NtXFyBBGUJk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=gCZDhy0KSLs:NtXFyBBGUJk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=gCZDhy0KSLs:NtXFyBBGUJk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=gCZDhy0KSLs:NtXFyBBGUJk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/gCZDhy0KSLs" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Two great tragedies are currently running in Westwood. One dates back 2,500 years; the other feels twice as old (and dated) even though it was written earlier this year. ..]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 08 Oct 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/172197/th_2009-10-08-211056.mp3</guid>
<castfire:sh_id>172197</castfire:sh_id>
<castfire:show_id>172197</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-10-08 21:44:00 EST">Thu, 08 Oct 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-10-08-211056</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/6Q8_C_A_WGU/th_2009-10-08-211056.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Two great tragedies are currently running in Westwood. One dates back 2,500 years; the other feels twice as old (and dated) even though it was written earlier this year. ..</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091008tragedies_medea_and_</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/6Q8_C_A_WGU/th_2009-10-08-211056.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/172197/th_2009-10-08-211056.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Bush-Era Angst</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/v0Z4AbONLMY/th091001bush-era_angst</link>
<description>&lt;p&gt;Of the many things George W. Bush said that came back to haunt him, one quip perhaps best describes what would become known as the Bush II Era: "A dictatorship would be a heck of a lot easier, there's no question about it," he said about working with Congress, "just so long as I'm the dictator..."&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=v0Z4AbONLMY:qZDByTiMdnM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=v0Z4AbONLMY:qZDByTiMdnM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=v0Z4AbONLMY:qZDByTiMdnM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=v0Z4AbONLMY:qZDByTiMdnM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=v0Z4AbONLMY:qZDByTiMdnM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=v0Z4AbONLMY:qZDByTiMdnM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=v0Z4AbONLMY:qZDByTiMdnM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=v0Z4AbONLMY:qZDByTiMdnM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/v0Z4AbONLMY" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Of the many things George W. Bush said that came back to haunt him, one quip perhaps best describes what would become known as the Bush II Era: "A dictatorship would be a heck of a lot easier, there's no question about it," he said about working with Congress, "just so long as I'm the dictator..."]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 01 Oct 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/168529/th_2009-10-01-191918.mp3</guid>
<castfire:sh_id>168529</castfire:sh_id>
<castfire:show_id>168529</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-10-01 21:44:00 EST">Thu, 01 Oct 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-10-01-191918</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/athEgQSaqJs/th_2009-10-01-191918.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Of the many things George W. Bush said that came back to haunt him, one quip perhaps best describes what would become known as the Bush II Era: "A dictatorship would be a heck of a lot easier, there's no question about it," he said about working with Con</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th091001bush-era_angst</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/athEgQSaqJs/th_2009-10-01-191918.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/168529/th_2009-10-01-191918.mp3</feedburner:origEnclosureLink></item>
<item>
<title>A Raucous 'Peace' and Intoxicating 'Encounter'</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/KFJKMPQEwSA/th090924a_raucous_peace_and_</link>
<description>&lt;p&gt;
A simple, joyous belief in theater as entertainment radiates from two productions currently playing here on the west coast. The first is the annual production of a Greek classic at the Getty Villa's outdoor amphitheater...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=KFJKMPQEwSA:zI-Z74sBpkc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=KFJKMPQEwSA:zI-Z74sBpkc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=KFJKMPQEwSA:zI-Z74sBpkc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=KFJKMPQEwSA:zI-Z74sBpkc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=KFJKMPQEwSA:zI-Z74sBpkc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=KFJKMPQEwSA:zI-Z74sBpkc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/th?a=KFJKMPQEwSA:zI-Z74sBpkc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/th?i=KFJKMPQEwSA:zI-Z74sBpkc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/th/~4/KFJKMPQEwSA" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[
A simple, joyous belief in theater as entertainment radiates from two productions currently playing here on the west coast. The first is the annual production of a Greek classic at the Getty Villa's outdoor amphitheater...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 24 Sep 2009 21:44:00 EST</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/164097/th_2009-09-24-203553.mp3</guid>
<castfire:sh_id>164097</castfire:sh_id>
<castfire:show_id>164097</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-09-24 21:44:00 EST">Thu, 24 Sep 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-09-24-203553</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/DD8z_U5pGi0/th_2009-09-24-203553.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> A simple, joyous belief in theater as entertainment radiates from two productions currently playing here on the west coast. The first is the annual production of a Greek classic at the Getty Villa's outdoor amphitheater...</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th090924a_raucous_peace_and_</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/DD8z_U5pGi0/th_2009-09-24-203553.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/164097/th_2009-09-24-203553.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Disney vs. Dreamworks: Round 2, Live on Stage</title>
<link>http://feeds.kcrw.com/~r/kcrw/th/~3/EvbDMit4IgM/th090910disney_vs_dreamworks</link>
<description>&lt;p&gt;Summer is now over and the new theater season is about to begin. Here
in Los Angeles, the season sort of un-officially opens tonight with the
opening performance of the Getty's annual production of a Greek play
under the stars in Malibu...&lt;/p&gt;&lt;div class="feedflare"&gt;
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<itunes:summary><![CDATA[Summer is now over and the new theater season is about to begin. Here
in Los Angeles, the season sort of un-officially opens tonight with the
opening performance of the Getty's annual production of a Greek play
under the stars in Malibu...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (James C. Taylor)</author>
<pubDate>Thu, 10 Sep 2009 21:44:00 EST</pubDate>
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<castfire:sh_id>155983</castfire:sh_id>
<castfire:show_id>155983</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="th">Theatre Talk</castfire:channel>
<castfire:date date="2009-09-10 21:44:00 EST">Thu, 10 Sep 2009 21:44:00 EST</castfire:date>
<castfire:filename>th_2009-09-10-205243</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/th/~5/npVOObwu6ck/th_2009-09-10-205243.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Summer is now over and the new theater season is about to begin. Here in Los Angeles, the season sort of un-officially opens tonight with the opening performance of the Getty's annual production of a Greek play under the stars in Malibu...</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/th/th090910disney_vs_dreamworks</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/th/~5/npVOObwu6ck/th_2009-09-10-205243.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/155983/th_2009-09-10-205243.mp3</feedburner:origEnclosureLink></item>
<language>en-us</language><media:credit role="author">James C. Taylor</media:credit><media:rating>nonadult</media:rating><media:description type="plain">Provocative reviews and commentary on a broad range of theatrical experience.</media:description></channel>
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