<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.kcrw.com/~d/styles/itemcontent.css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:castfire="http://www.castfire.com/dtds/rss.dtd" xmlns:media="http://search.yahoo.com/mrss/" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0">
<channel>
<title>KCRW's Film Reviews</title>
<description>Pulitzer Prize-winning critic of The Wall Street Journal Joe Morgenstern reviews films weekly in the paper and on KCRW; he airs his current musings on the film industry in a biweekly column for the paper as well. Joe has worked for The New York Times the New York Herald Tribune and the Los Angeles Herald Examiner and his freelance writing has appeared in The New Yorker The New York Times Magazine the Los Angeles Times Magazine Playboy GQ and the Columbia Journalism Review. He has also written for television; his scripts include 'The Boy in the Plastic Bubble' and several episodes of 'Law &amp; Order.' Joe is a founding member of the National Society of Film Critics and a member of the New York Film Critics Circle.</description>
<lastBuildDate>Fri, 12 Mar 2010 20:54:50 -0500</lastBuildDate>
<itunes:author>Joe Morgenstern</itunes:author>
<itunes:explicit>no</itunes:explicit>
<link>http://www.kcrw.org/</link>
<copyright>KCRW 2008</copyright>
<castfire:total>187</castfire:total>
<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.kcrw.com/kcrw/fr" /><feedburner:info uri="kcrw/fr" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:copyright>KCRW 2008</media:copyright><media:thumbnail url="http://media.kcrw.com/podcast/images/fr.jpg" /><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">TV &amp; Film</media:category><itunes:owner><itunes:email>podmaster@kcrw.org</itunes:email><itunes:name>Joe Morgenstern</itunes:name></itunes:owner><itunes:image href="http://media.kcrw.com/podcast/images/fr.jpg" /><itunes:subtitle>The Pulitzer Prize-winning critic of The Wall Street Journal, Joe Morgenstern reviews films weekly in the paper and on KCRW.</itunes:subtitle><itunes:summary>The Pulitzer Prize-winning critic of The Wall Street Journal, Joe Morgenstern reviews films weekly in the paper and on KCRW; he airs his current musings on the film industry in a biweekly column for the paper as well. He has worked for The New York Times, the New York Herald Tribune, and the Los Angeles Herald Examiner, and his freelance writing has appeared in The New Yorker, The New York Times Magazine, the Los Angeles Times Magazine, Playboy, GQ and the Columbia Journalism Review. He has also written for television; his scripts include "The Boy In the Plastic Bubble" and several episodes of "Law &amp;amp; Order." Joe is a founding member of the National Society of Film Critics and a member of the New York Film Critics Circle.</itunes:summary><itunes:category text="TV &amp; Film" /><geo:lat>34.009276</geo:lat><geo:long>-118.472869</geo:long><image><link>http://www.kcrw.com/etc/programs/fr</link><url>http://media.kcrw.com/podcast/images/fr.jpg</url><title>Film Reviews</title></image><feedburner:feedFlare href="http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif">Subscribe with My Yahoo!</feedburner:feedFlare><feedburner:feedFlare href="http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://www.newsgator.com/images/ngsub1.gif">Subscribe with NewsGator</feedburner:feedFlare><feedburner:feedFlare href="http://www.bloglines.com/sub/http://feeds.kcrw.com/kcrw/fr" src="http://www.bloglines.com/images/sub_modern11.gif">Subscribe with Bloglines</feedburner:feedFlare><feedburner:feedFlare href="http://www.netvibes.com/subscribe.php?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://www.netvibes.com/img/add2netvibes.gif">Subscribe with Netvibes</feedburner:feedFlare><feedburner:feedFlare href="http://fusion.google.com/add?feedurl=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://buttons.googlesyndication.com/fusion/add.gif">Subscribe with Google</feedburner:feedFlare><feedburner:feedFlare href="http://www.pageflakes.com/subscribe.aspx?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://www.pageflakes.com/ImageFile.ashx?instanceId=Static_4&amp;fileName=ATP_blu_91x17.gif">Subscribe with Pageflakes</feedburner:feedFlare><feedburner:feedFlare href="http://odeo.com/listen/subscribe?feed=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://odeo.com/img/badge-channel-black.gif">Subscribe with ODEO</feedburner:feedFlare><feedburner:feedFlare href="http://www.podnova.com/add.srf?url=http%3A%2F%2Ffeeds.kcrw.com%2Fkcrw%2Ffr" src="http://www.podnova.com/img_chicklet_podnova.gif">Subscribe with Podnova</feedburner:feedFlare><item>
<title>Green Zone</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/fq-Dc24GV8g/fr100312green_zone</link>
<description>&lt;p&gt;During the exciting but eventually wayward course of &lt;em&gt;Green Zone&lt;/em&gt;, Jason Bourne discovers the truth about weapons of mass destruction, then teaches a sloppy reporter from the Wall Street Journal how to be a good journalist...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fq-Dc24GV8g:17kkQAQAu9A:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fq-Dc24GV8g:17kkQAQAu9A:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fq-Dc24GV8g:17kkQAQAu9A:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fq-Dc24GV8g:17kkQAQAu9A:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fq-Dc24GV8g:17kkQAQAu9A:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fq-Dc24GV8g:17kkQAQAu9A:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fq-Dc24GV8g:17kkQAQAu9A:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fq-Dc24GV8g:17kkQAQAu9A:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/fq-Dc24GV8g" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[During the exciting but eventually wayward course of Green Zone, Jason Bourne discovers the truth about weapons of mass destruction, then teaches a sloppy reporter from the Wall Street Journal how to be a good journalist...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 12 Mar 2010 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/266563/fr_2010-03-12-205450.mp3</guid>
<castfire:sh_id>266563</castfire:sh_id>
<castfire:show_id>266563</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2010-03-12 21:44:00 EDT">Fri, 12 Mar 2010 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2010-03-12-205450</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/D0vKGDRfEUw/fr_2010-03-12-205450.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> During the exciting but eventually wayward course of Green Zone, Jason Bourne discovers the truth about weapons of mass destruction, then teaches a sloppy reporter from the Wall Street Journal how to be a good journalist...</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr100312green_zone</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/D0vKGDRfEUw/fr_2010-03-12-205450.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/266563/fr_2010-03-12-205450.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Alice in Wonderland</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/SAIMhUlDUzc/fr100305alice_in_wonderland</link>
<description>&lt;p&gt;The Cheshire Cat brags about his evaporating skills in Tim Burton's 3-D &lt;em&gt;Alice in Wonderland&lt;/em&gt;, and the movie has its own way of evaporating before your polarized eyes. Every scene brings something new and remarkable to look at, yet every scene sweeps away specific recollections of the previous one...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=SAIMhUlDUzc:sgFQU_GIx6Y:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=SAIMhUlDUzc:sgFQU_GIx6Y:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=SAIMhUlDUzc:sgFQU_GIx6Y:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=SAIMhUlDUzc:sgFQU_GIx6Y:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=SAIMhUlDUzc:sgFQU_GIx6Y:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=SAIMhUlDUzc:sgFQU_GIx6Y:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=SAIMhUlDUzc:sgFQU_GIx6Y:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=SAIMhUlDUzc:sgFQU_GIx6Y:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/SAIMhUlDUzc" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[The Cheshire Cat brags about his evaporating skills in Tim Burton's 3-D Alice in Wonderland, and the movie has its own way of evaporating before your polarized eyes. Every scene brings something new and remarkable to look at, yet every scene sweeps away specific recollections of the previous one...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 05 Mar 2010 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/262203/fr_2010-03-05-205605.mp3</guid>
<castfire:sh_id>262203</castfire:sh_id>
<castfire:show_id>262203</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2010-03-05 21:44:00 EDT">Fri, 05 Mar 2010 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2010-03-05-205605</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/7stS97qOHyk/fr_2010-03-05-205605.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> The Cheshire Cat brags about his evaporating skills in Tim Burton's 3-D Alice in Wonderland, and the movie has its own way of evaporating before your polarized eyes. Every scene brings something new and remarkable to look at, yet every scene sweeps away </itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr100305alice_in_wonderland</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/7stS97qOHyk/fr_2010-03-05-205605.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/262203/fr_2010-03-05-205605.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Extraordinary Measures; Creation</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/wZk5ab9G1mo/fr100122extraordinary_measur</link>
<description>&lt;p&gt;&lt;em&gt;Extraordinary Measures&lt;/em&gt; requires extraordinary tolerance for bathos, bombast and plain old unpleasantness. It?s a fictionalized ? and sadly trivialized ? adaptation of a non-fiction book, &lt;em&gt;The Cure&lt;/em&gt;, which was written by my Wall Street Journal colleague Geeta Anand...&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Creation&lt;/em&gt; is a fancier botch, blissed out on its own cleverness. Paul Bettany is Charles Darwin, struggling to finish &lt;em&gt;The Origin of the Species&lt;/em&gt; while he grieves the loss of his beloved daughter Annie, who died at the age of ten.&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=wZk5ab9G1mo:MSW33SsaiTk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=wZk5ab9G1mo:MSW33SsaiTk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=wZk5ab9G1mo:MSW33SsaiTk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=wZk5ab9G1mo:MSW33SsaiTk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=wZk5ab9G1mo:MSW33SsaiTk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=wZk5ab9G1mo:MSW33SsaiTk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=wZk5ab9G1mo:MSW33SsaiTk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=wZk5ab9G1mo:MSW33SsaiTk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/wZk5ab9G1mo" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Extraordinary Measures requires extraordinary tolerance for bathos, bombast and plain old unpleasantness. It?s a fictionalized ? and sadly trivialized ? adaptation of a non-fiction book, The Cure, which was written by my Wall Street Journal colleague Geeta Anand...
Creation is a fancier botch, blissed out on its own cleverness. Paul Bettany is Charles Darwin, struggling to finish The Origin of the Species while he grieves the loss of his beloved daughter Annie, who died at the age of ten.]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 22 Jan 2010 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/234173/fr_2010-01-22-204621.mp3</guid>
<castfire:sh_id>234173</castfire:sh_id>
<castfire:show_id>234173</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2010-01-22 21:44:00 EDT">Fri, 22 Jan 2010 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2010-01-22-204621</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/1Ius5UCcKeg/fr_2010-01-22-204621.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Extraordinary Measures requires extraordinary tolerance for bathos, bombast and plain old unpleasantness. It?s a fictionalized ? and sadly trivialized ? adaptation of a non-fiction book, The Cure, which was written by my Wall Street Journal colleague Gee</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr100122extraordinary_measur</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/1Ius5UCcKeg/fr_2010-01-22-204621.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/234173/fr_2010-01-22-204621.mp3</feedburner:origEnclosureLink></item>
<item>
<title>The Last Station</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/rxzhh674gHs/fr100115the_last_station</link>
<description>&lt;p&gt;&lt;em&gt;The Last Station&lt;/em&gt; is Michael Hoffman's evocation of the last years of writer Leo Tolstoy. It's a "seduction that draws us into a vanished world where Count Leo Tolstoy and his wife of 48 years, countess Sofya come to life in a match pair of magnificent performances by Christopher Plummer and Helen Mirren."&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=rxzhh674gHs:Q3ElgmzEcQc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=rxzhh674gHs:Q3ElgmzEcQc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=rxzhh674gHs:Q3ElgmzEcQc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=rxzhh674gHs:Q3ElgmzEcQc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=rxzhh674gHs:Q3ElgmzEcQc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=rxzhh674gHs:Q3ElgmzEcQc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=rxzhh674gHs:Q3ElgmzEcQc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=rxzhh674gHs:Q3ElgmzEcQc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/rxzhh674gHs" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[The Last Station is Michael Hoffman's evocation of the last years of writer Leo Tolstoy. It's a "seduction that draws us into a vanished world where Count Leo Tolstoy and his wife of 48 years, countess Sofya come to life in a match pair of magnificent performances by Christopher Plummer and Helen Mirren."]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 15 Jan 2010 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/229149/fr_2010-01-15-204650.mp3</guid>
<castfire:sh_id>229149</castfire:sh_id>
<castfire:show_id>229149</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2010-01-15 21:44:00 EDT">Fri, 15 Jan 2010 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2010-01-15-204650</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/U3beha8sads/fr_2010-01-15-204650.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> The Last Station is Michael Hoffman's evocation of the last years of writer Leo Tolstoy. It's a "seduction that draws us into a vanished world where Count Leo Tolstoy and his wife of 48 years, countess Sofya come to life in a match pair of magnificent pe</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr100115the_last_station</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/U3beha8sads/fr_2010-01-15-204650.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/229149/fr_2010-01-15-204650.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Youth in Revolt; Daybreakers</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/lqypLCdwpx4/fr100108youth_in_revolt_dayb</link>
<description>&lt;p&gt;&lt;em&gt;Youth in Revolt&lt;/em&gt; is an endearing coming-of-age comedy that stars Michael Cera. In one way, only, but in a significant way, Cera reminds me of Billie Holiday, who achieved subtle marvels within a severely limited vocal range...&lt;/p&gt;
&lt;p&gt;The German filmmaker brothers Michael Spierig and Peter Spierig have come up with a new twist on vampires in an English-language movie called &lt;em&gt;Daybreakers&lt;/em&gt;. The year is 2019, and vampires have taken over the world...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=lqypLCdwpx4:tqACyoesKLc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=lqypLCdwpx4:tqACyoesKLc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=lqypLCdwpx4:tqACyoesKLc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=lqypLCdwpx4:tqACyoesKLc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=lqypLCdwpx4:tqACyoesKLc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=lqypLCdwpx4:tqACyoesKLc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=lqypLCdwpx4:tqACyoesKLc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=lqypLCdwpx4:tqACyoesKLc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/lqypLCdwpx4" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Youth in Revolt is an endearing coming-of-age comedy that stars Michael Cera. In one way, only, but in a significant way, Cera reminds me of Billie Holiday, who achieved subtle marvels within a severely limited vocal range...
The German filmmaker brothers Michael Spierig and Peter Spierig have come up with a new twist on vampires in an English-language movie called Daybreakers. The year is 2019, and vampires have taken over the world...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 08 Jan 2010 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/224885/fr_2010-01-08-204104.mp3</guid>
<castfire:sh_id>224885</castfire:sh_id>
<castfire:show_id>224885</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2010-01-08 21:44:00 EDT">Fri, 08 Jan 2010 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2010-01-08-204104</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/ljCO2pBe2ug/fr_2010-01-08-204104.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Youth in Revolt is an endearing coming-of-age comedy that stars Michael Cera. In one way, only, but in a significant way, Cera reminds me of Billie Holiday, who achieved subtle marvels within a severely limited vocal range... The German filmmaker brother</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr100108youth_in_revolt_dayb</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/ljCO2pBe2ug/fr_2010-01-08-204104.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/224885/fr_2010-01-08-204104.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Avatar</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/fzY9Z837cnc/fr091218avatar</link>
<description>&lt;p&gt;James Camerion's &lt;em&gt;Avatar&lt;/em&gt; takes place on a planet called Pandora, where American corporations and their military mercenaries have set up bases to mine a surpassingly precious mineral called unobtanium. The vein of awe mined by the movie is nothing short of unbelievium...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fzY9Z837cnc:kKZXNT1asgc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fzY9Z837cnc:kKZXNT1asgc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fzY9Z837cnc:kKZXNT1asgc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fzY9Z837cnc:kKZXNT1asgc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fzY9Z837cnc:kKZXNT1asgc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fzY9Z837cnc:kKZXNT1asgc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=fzY9Z837cnc:kKZXNT1asgc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=fzY9Z837cnc:kKZXNT1asgc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/fzY9Z837cnc" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[James Camerion's Avatar takes place on a planet called Pandora, where American corporations and their military mercenaries have set up bases to mine a surpassingly precious mineral called unobtanium. The vein of awe mined by the movie is nothing short of unbelievium...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 18 Dec 2009 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/215211/fr_2009-12-18-202343.mp3</guid>
<castfire:sh_id>215211</castfire:sh_id>
<castfire:show_id>215211</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2009-12-18 21:44:00 EDT">Fri, 18 Dec 2009 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2009-12-18-202343</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/ivCT9B-guyA/fr_2009-12-18-202343.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> James Camerion's Avatar takes place on a planet called Pandora, where American corporations and their military mercenaries have set up bases to mine a surpassingly precious mineral called unobtanium. The vein of awe mined by the movie is nothing short of</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr091218avatar</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/ivCT9B-guyA/fr_2009-12-18-202343.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/215211/fr_2009-12-18-202343.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Invictus; The Lovely Bones</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/_KKZwhUL8vg/fr091211invictus_the_lovely_</link>
<description>&lt;p&gt;Until now, America's curiosity about rugby has been on a par with its knowledge, but this could change with the advent of &lt;em&gt;Invictus&lt;/em&gt;... Clint Eastwood's new movie is an inspirational game played by Morgan Freeman as Nelson Mandela, and Matt Damon as the captain of a South African rugby team...&lt;br /&gt;&lt;br /&gt;Peter Jackson's &lt;em&gt;The Lovely Bones&lt;/em&gt; was adapted from Alice Sebold's widely admired novel. The movie, like the book, is party set in an Inbetween that occupies an ethereal space between heaven and earth; it's the vantage point from which the young heroine watches over her family after her death at the hands of a monstrous pervert...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=_KKZwhUL8vg:YhQQTf-CuO0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=_KKZwhUL8vg:YhQQTf-CuO0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=_KKZwhUL8vg:YhQQTf-CuO0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=_KKZwhUL8vg:YhQQTf-CuO0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=_KKZwhUL8vg:YhQQTf-CuO0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=_KKZwhUL8vg:YhQQTf-CuO0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=_KKZwhUL8vg:YhQQTf-CuO0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=_KKZwhUL8vg:YhQQTf-CuO0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/_KKZwhUL8vg" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[Until now, America's curiosity about rugby has been on a par with its knowledge, but this could change with the advent of Invictus... Clint Eastwood's new movie is an inspirational game played by Morgan Freeman as Nelson Mandela, and Matt Damon as the captain of a South African rugby team...Peter Jackson's The Lovely Bones was adapted from Alice Sebold's widely admired novel. The movie, like the book, is party set in an Inbetween that occupies an ethereal space between heaven and earth; it's the vantage point from which the young heroine watches over her family after her death at the hands of a monstrous pervert...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 11 Dec 2009 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/211797/fr_2009-12-11-202025.mp3</guid>
<castfire:sh_id>211797</castfire:sh_id>
<castfire:show_id>211797</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2009-12-11 21:44:00 EDT">Fri, 11 Dec 2009 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2009-12-11-202025</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/b6pJnaJ25kI/fr_2009-12-11-202025.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> Until now, America's curiosity about rugby has been on a par with its knowledge, but this could change with the advent of Invictus... Clint Eastwood's new movie is an inspirational game played by Morgan Freeman as Nelson Mandela, and Matt Damon as the ca</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr091211invictus_the_lovely_</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/b6pJnaJ25kI/fr_2009-12-11-202025.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/211797/fr_2009-12-11-202025.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Up in the Air</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/3zYXMnTwksU/fr091204up_in_the_air</link>
<description>&lt;p&gt;The best of &lt;em&gt;Up in the Air&lt;/em&gt; -- meaning most of it -- is right up there with the fresh and sophisticated comedies of Hollywood?s Golden Age?&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=3zYXMnTwksU:uLA1KNePSI8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=3zYXMnTwksU:uLA1KNePSI8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=3zYXMnTwksU:uLA1KNePSI8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=3zYXMnTwksU:uLA1KNePSI8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=3zYXMnTwksU:uLA1KNePSI8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=3zYXMnTwksU:uLA1KNePSI8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=3zYXMnTwksU:uLA1KNePSI8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=3zYXMnTwksU:uLA1KNePSI8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/3zYXMnTwksU" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[The best of Up in the Air -- meaning most of it -- is right up there with the fresh and sophisticated comedies of Hollywood?s Golden Age?]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 04 Dec 2009 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/207879/fr_2009-12-04-195724.mp3</guid>
<castfire:sh_id>207879</castfire:sh_id>
<castfire:show_id>207879</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2009-12-04 21:44:00 EDT">Fri, 04 Dec 2009 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2009-12-04-195724</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/d15OAJwKpGk/fr_2009-12-04-195724.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> The best of Up in the Air -- meaning most of it -- is right up there with the fresh and sophisticated comedies of Hollywood?s Golden Age?</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr091204up_in_the_air</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/d15OAJwKpGk/fr_2009-12-04-195724.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/207879/fr_2009-12-04-195724.mp3</feedburner:origEnclosureLink></item>
<item>
<title>Bad Lieutenant: Port of Call New Orleans; Red Cliff</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/xljI1gdfXFo/fr091120bad_lieutenant_port_</link>
<description>&lt;p&gt;This year's prize for clumsiest title goes to &lt;em&gt;Bad Lieutenant: Port of Call New Orleans&lt;/em&gt;. I wanted to get that out of the way so I could talk about a defining moment in the movie, set in post-Katrina New Orleans -- it's when Nicholas Cage's rogue cop pulls up to a seedy building to make an arrest...&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Red Cliff&lt;/em&gt;, set in China in the twilight of the Han Dynasty, lends new meaning to the notion of Baby on Board when a fearless swordsman plunges into battle with an infant strapped on his back...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=xljI1gdfXFo:laU3avmzKJc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=xljI1gdfXFo:laU3avmzKJc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=xljI1gdfXFo:laU3avmzKJc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=xljI1gdfXFo:laU3avmzKJc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=xljI1gdfXFo:laU3avmzKJc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=xljI1gdfXFo:laU3avmzKJc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=xljI1gdfXFo:laU3avmzKJc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=xljI1gdfXFo:laU3avmzKJc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/xljI1gdfXFo" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[This year's prize for clumsiest title goes to Bad Lieutenant: Port of Call New Orleans. I wanted to get that out of the way so I could talk about a defining moment in the movie, set in post-Katrina New Orleans -- it's when Nicholas Cage's rogue cop pulls up to a seedy building to make an arrest...Red Cliff, set in China in the twilight of the Han Dynasty, lends new meaning to the notion of Baby on Board when a fearless swordsman plunges into battle with an infant strapped on his back...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 20 Nov 2009 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/195581/fr_2009-11-20-194619.mp3</guid>
<castfire:sh_id>195581</castfire:sh_id>
<castfire:show_id>195581</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2009-11-20 21:44:00 EDT">Fri, 20 Nov 2009 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2009-11-20-194619</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/3bEWZbcOQGo/fr_2009-11-20-194619.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> This year's prize for clumsiest title goes to Bad Lieutenant: Port of Call New Orleans. I wanted to get that out of the way so I could talk about a defining moment in the movie, set in post-Katrina New Orleans -- it's when Nicholas Cage's rogue cop pulls</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr091120bad_lieutenant_port_</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/3bEWZbcOQGo/fr_2009-11-20-194619.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/195581/fr_2009-11-20-194619.mp3</feedburner:origEnclosureLink></item>
<item>
<title>2012; Pirate Radio</title>
<link>http://feeds.kcrw.com/~r/kcrw/fr/~3/NjZQ5yuoFek/fr0911132012_pirate_radio</link>
<description>&lt;p&gt;&lt;em&gt;2012&lt;/em&gt; is Roland Emmerich's latest assault on planet Earth and its moviegoers, and it isn't the end of the world: it only feels that way...&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Pirate Radio&lt;/em&gt; follows the form -- when it chooses to follow any form -- of a cat-and-mouse game between the British government, circa 1966, and a crew of deejays beaming round-the-clock rock and roll from a decrepit tanker anchored in the North Sea just outside Britain's territorial waters...&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=NjZQ5yuoFek:PRhclMHJ7pI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=NjZQ5yuoFek:PRhclMHJ7pI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=NjZQ5yuoFek:PRhclMHJ7pI:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=NjZQ5yuoFek:PRhclMHJ7pI:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=NjZQ5yuoFek:PRhclMHJ7pI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=NjZQ5yuoFek:PRhclMHJ7pI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.kcrw.com/~ff/kcrw/fr?a=NjZQ5yuoFek:PRhclMHJ7pI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/kcrw/fr?i=NjZQ5yuoFek:PRhclMHJ7pI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/kcrw/fr/~4/NjZQ5yuoFek" height="1" width="1"/&gt;</description>
<itunes:summary><![CDATA[2012 is Roland Emmerich's latest assault on planet Earth and its moviegoers, and it isn't the end of the world: it only feels that way...Pirate Radio follows the form -- when it chooses to follow any form -- of a cat-and-mouse game between the British government, circa 1966, and a crew of deejays beaming round-the-clock rock and roll from a decrepit tanker anchored in the North Sea just outside Britain's territorial waters...]]></itunes:summary>
<itunes:author>Podcast:Talk</itunes:author>
<author>podmaster@kcrw.org (Joe Morgenstern)</author>
<pubDate>Fri, 13 Nov 2009 21:44:00 EDT</pubDate>
<guid isPermaLink="false">http://serve.castfire.com/audio/191869/fr_2009-11-13-193945.mp3</guid>
<castfire:sh_id>191869</castfire:sh_id>
<castfire:show_id>191869</castfire:show_id>
<castfire:network slug="kcrw">KCRW</castfire:network>
<castfire:content_producer slug="podcast-talk">Podcast:Talk</castfire:content_producer>
<castfire:channel slug="fr">Film Reviews</castfire:channel>
<castfire:date date="2009-11-13 21:44:00 EDT">Fri, 13 Nov 2009 21:44:00 EDT</castfire:date>
<castfire:filename>fr_2009-11-13-193945</castfire:filename>
<castfire:categories>
</castfire:categories>

<media:content url="http://feeds.kcrw.com/~r/kcrw/fr/~5/20Y-uqbI-fo/fr_2009-11-13-193945.mp3" type="audio/mpeg" /><itunes:explicit>no</itunes:explicit><itunes:subtitle> 2012 is Roland Emmerich's latest assault on planet Earth and its moviegoers, and it isn't the end of the world: it only feels that way... Pirate Radio follows the form -- when it chooses to follow any form -- of a cat-and-mouse game between the British g</itunes:subtitle><feedburner:origLink>http://www.kcrw.com/etc/programs/fr/fr0911132012_pirate_radio</feedburner:origLink><enclosure url="http://feeds.kcrw.com/~r/kcrw/fr/~5/20Y-uqbI-fo/fr_2009-11-13-193945.mp3" length="0" type="audio/mpeg" /><feedburner:origEnclosureLink>http://download.kcrw.com/audio/191869/fr_2009-11-13-193945.mp3</feedburner:origEnclosureLink></item>
<language>en-us</language><media:credit role="author">Joe Morgenstern</media:credit><media:rating>nonadult</media:rating><media:description type="plain">The Pulitzer Prize-winning critic of The Wall Street Journal, Joe Morgenstern reviews films weekly in the paper and on KCRW.</media:description></channel>
</rss>
